"It is hardly surprising that Alain Robbe-Grillet should have moved from his particular conception and practice of the French New Novel to the cinema. In literary works such as The Voyeur (1955) and Jealousy (1957), this nouveau romancier delighted in patterned descriptions of nature so plastic as to appear at first reading entirely devoid of any subjective point of view or psychology..."
'Double Projection'- ArtForum
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